In
Memory
1924-1999
Ella Mae Morse passed away in
Bullhead City Arizona
Sat. October 16th, 1999 at 8:58 PM.
The former Capital Records Gold Record recording star died from complications
due to cancer. She is survived by her husband of 40 years, Jack Bradford, her
six children, Laura Bradford of Bullhead City, AZ., Dan Bradford of Lomita,
CA., Kenny Kendall, Marcia Mar of Sacramento, Anne Prewitt of Bellevue,
WA, Dick Gerber of Prescott Arizona, plus several grandchildren and great
grandchildren.
A Memorial Service was held Thursday,
October 28th
Hope Chapel in
Ella Mae with good friend, Dick Ryan and
Dickie
I was finally able to sit down with my
Mother a few years ago and I came to realize that she did the best job she knew
how in trying to raise me. Good grief, she was a big star and just a kid
herself! We were able to talk about those days and put away some of the
pain we both had carried for years.
The little boy that lives in me will always love his Mommy, but I'm sorry to
say that the grownup never got a chance to become friends with her. Funny, I
think we were both okay with that. She finally stopped beating herself up for
what she thought was a bad job being a Mother, and I was able realize that she
did the best job she knew how to do in a very tough time in her life. I am so
glad we took the time to talk about those things. She was one of the greatest
singers of her time. Rest in peace Mommy....you're not forgotten now,
and....you never were.
Love,
Dickie
Ella Mae and Johnny Mercer
Ella Mae Morse was one of the most
exciting vocalists of the 1940s and 50s, a hard-to-classify, Texas-born white
singer who knocked everyone out with her hip, black-inflected vocals from the
moment she hit the scene as a seventeen-year-old with boogie pianist Freddie
Slack's Orchestra in 1942. Her vocal that year on the huge hit Cow Cow Boogie,
quickly established her as a name, and dozens of hits followed, both with Slack
and under her own name. Sides like the Buzz Me, The House Of Blue Lights, Pig
Foot Pete, The Blacksmith Blues remain classics, and The House Of Blue Lights,
in particular, has been hailed as one of the seminal recordings in rock and
roll history. Uncommonly versatile, Ella Mae could handle anything, from jazz
to country, from R&B to lush pop. As she herself
has said, “Cliffie Stone said: 'You're a country singer.' And Benny Carter
said: 'You're a jazz singer.' T-Bone
To
listen to some of my Mothers songs, CLICK HERE!
Ella Mae
and Dick Ryan
Her movies:
Reveille with
South of
Ghost Catchers (1944)
How Do You Do (1946)
She was all of the above and then some: an
instinctive, insouciant, sexy stylist with an innate feel for the blues that
colored and characterized virtually everything she sang. Ella Mae Morse's
entire output over her fifteen year tenure with Capitol Records (1942-1957), a
label she helped put on the map. Ella Mae worked with the likes of Freddie Slack, Benny Carter, Barney Kessel, Gerald
Wiggins, Pete Johnson, Jimmy Rowles, Red Callender, Al Hendrickson, Jimmy
Bryant, Speedy West, Alvin Stoller, and countless others. In later years,
Ella Mae could be found at