CHIC
Probably the band of the disco
generation, Chic was built around
Edwards' and Rodgers' skills were
also in demand for outside projects and their handiwork was evident on “Upside
Down” (Diana Ross), “We Are Family” (Sister Sledge) and “Spacer” (Sheila B.
Devotion). However, their distinctive sound grew too defined to adapt to
changing fashions and Chic's later work was treated with indifference. Edwards' solo album, Glad To Be Here, was a disappointment, and
Rodgers' effort, Adventures In The Land Of Groove, fared little better.
However, Rodgers’ unique work on David Bowie's 1983 album Let's
Dance provided much of the singer's newly-discovered propulsive bite. A year
later Rodgers produced Madonna's first major hit album, Like A Virgin, and
helped Duran Duran to the top of the US charts with a
remix of “The Reflex”, Edwards took control of recording the Power Station, the
Duran Duran offshoot that also featured Tony
Thompson. Edwards also provided the backbone to Robert Palmer's 1986 hit, “Addicted
To Love”. In 1992, the duo re-formed Chic as a rebuff to the rap and new dance
styles, releasing a single, “Chic Mystique”, and an album. Sadly Chic's revival
looks to have ended with the death of Bernard Edwards in 1996, but their huge
influence on dance music (especially its rhythms) ensures a place in pop
history. Rodgers continues as a popular producer and in 1998 founded his own
distribution and record label Sumthing Else.
Discography: Chic (Atlantic
1977)***, C'Est Chic (Atlantic 1978)****,
Risqué (Atlantic 1979)****, Real People (Atlantic 1980)****, Take It
Off (Atlantic 1981)****, Tongue In Chic (Atlantic 1982)***, Believer (Atlantic
1983)***, Chic-Ism (Warners 1992)***.
Compilations: Les Plus Grands Succès De Chic: Chic's Greatest Hits
(Atlantic 1979)****, Megachic: The Best Of Chic (Warners 1990)****, Dance Dance Dance: The Best Of Chic (Atlantic 1991)****, Everybody
Dance (Rhino 1995)****, The Very Best Of Chic (Rhino 2000)****.