DIRE STRAITS
Few groups can claim to be
synonymous with a lifestyle, but Dire Straits are an exception, whether they
like it or not. Brothers In Arms, released in 1985,
established them as the first real darlings of the compact disc 20-something
generation that grew out of the boom years of the 80s. Their accessible,
traditional blues-based music made them perfect for the massive, mature,
relatively wealthy strata of the public that likes its music tightly performed
and readily digestible. The album was number 1 in the
The Knopflers
moved to
Their second single, “Lady Writer”,
was a relative failure but it did not impair their attraction as an ‘albums
band’. Communique, produced by Jerry Wexler and Barry
Beckett, sold three million copies worldwide. It missed the commercial edge of
the debut but developed Knopfler's trademark
incisive, cynical lyricism. Before the recording of Making
Movies, David Knopfler opted out to begin a solo
career and has since released several records with various small independent
labels. He was replaced by Hal Lindes, formerly a
member of Darling, with Alan Clark joining on keyboards at the same time. Knopfler was heavily criticized for not varying his
songwriting formula but the album still spawned a UK Top 10 single with the
poignant love ballad, “Romeo And Juliet”. Love Over
Gold fared better than its predecessor in the USA and the single from it,
“Private Investigations”, reached number 2 in the
Following the Love Over Gold album, Knopfler took
time off to produce Bob Dylan's Infidels (1983), and wrote Tina Turner's
comeback hit, “Private Dancerj”. Now respected as
both a songwriter and an exceptionally gifted guitarist, it looked for a while
as if Dire Straits might not record again because of Knopfler's
other production commitments with artists as diverse as Aztec Camera, Randy
Newman and Willy DeVille. They reassembled, however,
in 1983 with ex-Man drummer Terry Williams replacing Withers, and completed an
arduous world tour. A live double album, Alchemy Live, filled the gap before
the band's next studio album release, Brothers In
Arms. Like many others, Dire Straits’ appearance at the Live Aid concert
boosted sales and their own 200-date tour helped it become one of the decade's
biggest-selling albums. Knopfler used it to make
several wry observations on his own position as a rock star, laughing at the
folly of videos and MTV on “Money For Nothing” - a
number 1 in the
With Brothers In
Arms still riding high in the charts, Knopfler turned
once again to other projects. Having already written three film scores in 1983
and 1984 (for Local Hero,
Discography: Dire Straits (Vertigo
1978)****, Communique (Vertigo 1979)**, Making Movies
(Vertigo 1980)****, Love Over Gold (Vertigo 1982)***, Alchemy - Live (Vertigo
1984)**, Brothers In Arms (Vertigo 1985)***, On Every Street (Vertigo 1991)***,
On The Night (Vertigo 1993)**, Live At The BBC (Windsong
1995)***.
Compilations: Money For Nothing
(Vertigo 1988)****, Sultans Of Swing: The Very Best Of
Dire Straits (Mercury 1998)****.
Videography: Brothers In Arms (PolyGram Music Video 1988), Alchemy Live (Channel 5
1988), The Videos (PolyGram Music Video 1992).
Bibliography: Dire Straits, Michael Oldfield. Mark Knopfler: The Unauthorised Biography, Myles Palmer.